Boyle Lecture Discussion Questions: A Full Initial Response

The short online panel discussion following the 2021 Boyle Lecture, The Rediscovery of Contemplation Through Science, was very rich, but attracted far more questions than we could handle at the time. I did (rashly?) promise at the time that I, and panel members if they wished, would try to address, at least in an initial form, all of the questions asked. Here is the result. I have decided that to minimise a fragmentation of response, that it is best to group the questions under subheadings. These turned out to be: Overall Rationale and Purpose, Contemplative Methodologies in Scientific Insight and Broader Practice, Science Culture and Politics, Psychological and Meditative Consequences, Natural Theology of Old and New Kinds, New Atheism, Education, Christian Practice, Lessons from the History of Science and Technology. These sections start with bold italic subtitles. The questions are in italic (followed by the questioner’s name). The response to each collection of questions follows in normal text. They are mine, except were specifically indicated.

Screenshot from the Boyle Lecture discussion with (from left top to right bottom) Prof. Fraser Watts, Prof. Michael Reiss, Prof. Tom McLeish (Boyle lecturer), Prof. Sarah Coakley, Dr. Sarah Lane Ritchie, Lord Williams of Oystermouth (Rt. Revd. Prof. Rowan Williams) (Boyle respondant)

Overall Rationale and Purpose 

Why are we doing this? (Bonnie Zahl – from a young family member)

Is the word God a verb or a noun? (Martin Bassants)

Talk of “religion” and “science” (and any type of “relationship” or whatever) seems utterly unable to capture what you are saying. What categories, and modes of thinking, including contemplation, poetry, rhetoric, understanding could you recommend to us, especially to theologians and scientists (but to all of us really) to move towards a better understanding of God as creator and ourselves as part of creation. (Esgrid Sikahall)

Why do theologians refer to God as he? (Jack Martin)

What is truth? (Rebecca Nichol)

It is inspiring to receive such perceptive and deep ‘framing’ questions stimulated by a discussion such as this one. They are salutary reminders that we tread on transcendent ground. Especially helpful is the bold and simple challenge from the young audience member. Keeping sight of the reason we are doing something is an important habit in science, theology, and everything really! 

We are doing this because it matters to being human, somehow, that we understand how our world works. This isn’t just curiosity, although it might start there, but goes deeper to a sense of responsibility we have to each other and to our world to treasure it. Another reason that I wanted to give this talk is to show directly, rather than argue in the abstract, that Christian faith is in fact a fruitful source of support for science in many ways (and this is exactly why Robert Boyle started the series of lectures all those years ago). There is a misunderstanding that it has, and does still, limit and frustrate science, and I wanted to show that this need not be the case at all. Rather, that science can be both God’s gift and calling, though as soon as you say that you need to do some work to find out what that means. Perhaps that is part of finding out what ‘truth’ means – after all ‘true’ is a woodworking term, indicating when pieces are lined up or properly parallel. ‘True’ has the sense of being in a right relationship with, and both theology and science working together aim to establish that sort of a ‘true-ness’ between us and the world, and therefore between those and Godself (the gender-neutral term that theologians now often use of God, by the way, Jack Martin). But to do that will require, as Esgrid already hints at, every mode of being human in expression and reception. 

Martin Bassant’s question turns us back to Coleridge’s (and for that matter, Moses’) experience of the divine, and of insight into the divine, at that radical moment in the Torah when God declares his substantiveness to be verbal: I AM. 

Contemplative Methodologies in Scientific Insight and Broader Practice

What kind of interaction do you suppose Dr. McLeish’s beautiful insistence on the importance of “imagination” and “suddenness” of scientific solutions through sometimes unconventional modes of contemplation and reflection might have with Bernard Lonergan’s understanding of “insight”?  (Alexander Fogassy )

Within the theoretical areas of the sciences such as physics, chemistry, biology, etc., we have the process of the thought experiment.  How do you see the contemplative and the imaginative and the poetic inspiring this process? (James Fowler)

How would you recommend the jobbing scientist under pressure of funding and publication, make room for the contemplative element of their vocation? (Roger Bretherton)

How can theological reflection seeking an understanding of the mind of God, through Biblical Poetry and Wisdom Literature inspire one’s contemplative activity in the sciences? (James Fowler)

I was struck with contemplation as a way to think about the unseen side and the hidden nature of things as being obvious in art- Cubism aimed to reveal all the unseen sides of an object at once, via the imagination- and the network of fungi that biologists found empirically verified as the probable source of trees being able not to talk to each other but to make protective chemical signals. But in practice we might need to show that this is how many solutions are revealed even to the non-scientist, and on perhaps Buddhism is getting close to doing this. Is the western faith lagging in this and will people of no faith tolerate this approach in education? (Mary lin Raisch)

An example of contemplation from an unexpected source, T.H. Huxley: ‘The student of Nature wonders the more and is astonished the less, the more conversant he becomes with her operations; but of all the perennial miracles she offers to his inspection, perhaps the most worthy of admiration is the development of a plant or of an animal from its embryo. Examine the recently laid egg of some common animal, such as a salamander or newt. It is a minute spheroid in which the best microscope will reveal nothing but a structureless sac, enclosing a glairy fluid, holding granules in suspension. But strange possibilities lie dormant in that semi-fluid globule. Let a moderate supply of warmth reach its watery cradle, and the plastic matter undergoes changes so rapid, yet so steady and purpose-like in their succession, that one can only compare them to those operated by a skilled modeller upon a formless lump of clay. As with an invisible trowel, the mass is divided and subdivided into smaller and smaller portions, until it is reduced to an aggregation of granules not too large to build withal the finest fabrics of the nascent organism. And, then, it is as if a delicate finger traced out the line to be occupied by the spinal column, and moulded the contour of the body; pinching up the head at one end, the tail at the other, and fashioning flank and limb into due salamandrine proportions, in so artistic a way, that, after watching the process hour by hour, one is almost involuntarily possessed by the notion, that some more subtle aid to vision than an achromatic, would show the hidden artist, with his plan before him, striving with skilful manipulation to perfect his work.’ (Joshua Luke Roberts)

What about the wonder of science as a way of encouraging wider participation/enthusiasm? (Timothy Jarrold)

In your view of science as contemplation, what I have heard so far, are explicit appeals to the theology of Christianity. But since science is now a truly global practice, how would we incorporate in science as contemplation the views of other traditions (mindfulness etc. for example)? (Deepanwita Dasgupta)

Contemplation, in the mystical sense, means union with the transcendent or even a rapture. can we talk about a rapture in the case of contemplation through science? I’m asking because rational science often seems to dominate the man. Thanks, (Paul Scarlat)

I think Astronomy is the way to go does the panel agree? (Jack Martin)

‘Contemplative science’: there is a story of nuclear physicists praying the Jesus Prayer as they pursued their research… (Elizabeth Theokritoff)

Could you say something about the use of language in the two magisteria, science and religion.  Science will interpret a ‘mystery’ as an as-yet-unexplained phenomenon, whilst religion seems to protect mystery as a mystery, and would not want it explained, almost putting it off limits. (Paul Devonshire)

This set of questions pushes towards a deeper understanding of what ‘contemplation’ might mean in science, and from where we might learn, or re-learn it. There are some very helpful and promising suggestions. Joshua Luke Roberts provides a lovely example from Huxley – writing like that witnesses to just the contemplative time, reflection, and long unrushed search for the right language to talk about science, that I have in mind as the beginning of the process. Note carefully the ‘watching the process hour by hour’ – how much time to scientists, or all of us for that matter, set aside for watching slow processes in the natural world and reflecting on them. Boyle would most certainly approve. 

But there is more. Here Mary lin Raisch is helpful in pointing out an analogy with cubist art – the practice of holding different perspectives on an object at one and the same time. Huxley is doing this in real time, by describing the visible aspects of the salamander egg in its early development, but also creating and holding a mental image of the latent, potential animal as well as the unknown present structures that must be present and hidden, that ‘code’ for the later forms. Robert Grosseteste, the great 13thcentury polymath to whom Rowan Williams referred in the discussion, put this aspect of contemplation in natural philosophy this way (he calls it ‘sollertia’:

Sollertia, then, is a penetrative power by which the vision of the mind does not rest on the surface of the thing seen, but penetrates it until it reaches a thing naturally linked to itself. In the same way as corporal vision, falling on a coloured object, does not rest there, but penetrates into the internal connectivity and integrity of the coloured object, from which connectivity its colour emerges, and again penetrates this connectivity until it reaches the elementary qualities from which the connectivity proceeds.

There is yet a third stage to this ‘contemplative methodology’ – if I might demean it so – that I am urging be recognized as more central and vital to science than it currently is. It is here that we come to the ‘insight’ that I think (who can be quite sure with Bernard Lonergan?) lies behind the Jesuit philosopher/theologian’s work Insight: A Study of Human Understanding. When we spend a long time absorbing, paying attention to, a chosen focus of the world, perhaps though the perspective of a question, then accompany that with other material from the ‘periphery’ of our attention (this we discussed briefly on the panel session), when all that is added to the mental imaginative re-creation of the unseen, hidden, structures that lie behind the perceived – then we might receive a token of ‘insight’. But although these glimpses into what really might make sense of the world are, according to Lonergan ‘two a penny’, the really worthwhile ones are not.

At this point the experience of the wilderness must come in. All of us must know the experience of trying everything we have talked about so far – the intense study, the attempt to find words, the adding off other ideas, the exercise of imagination – yet stillthe answer, the solution, the clarity of the way ahead, fails to materialize. We give up. We rest for a while, perhaps a long while. But our subconscious does not. When we are fortunate, a moment or rest the next day, week, year or even decade (all are recorded) allows the apparently effortless appearance of insight into our conscious mind. Those are the little or not-so-little experiences that I was trying to urge scientists to share more publicly. There are examples everywhere (certainly in astronomy, Jack Martin, yes – but everywhere else too). Part of the reason that this takes time, I conjecture, is that scientific practice on its own is not enough to generate the radically imaginative new ideas that intuit new scientific insight. Some of the material for these must come from elsewhere, including poetry, religious practice (from many traditions very possibly), music, exercise…. I researched and wrote about the commonalities in these experiences across the sciences and the arts and the humnaities for the book The Poetry and Music of Science,[1] and was astonished by the frequency I heard the same story of winning insight across all these disciplines.

The final experience of this insight feels like a gift at the time. That, in addition to the contemplative course through both focused attention and wilderness times, creates together a very strong analogy with religious contemplation. We might understand the reason for the story that Elizabeth Theokritoff gives us, or for the notion from Michael Faraday that Sunday was the ideal day for scientific experiments – the sabbath rest of our relationship with the world, perhaps?

Science Culture and Politics

How does a democratisation and ‘poetising’ of science deal with the prevalent post-truth culture in which ‘truth is what I choose to believe’? (Andrew Jackson)

Science and religion/culture are each a birthright and common grounds or lingua franca among individuals. Esau either did not understand or value his birthright /lingua franca. While the Jacobs among us are happy to pick up the ball and run with it, what are we to do about our brothers and sisters who do not value what we value? Need we run away, go into exile, only later to appease and reconcile? (Dan Collinson)

On the subject of ‘layman’s science’, do you find encouragement in the growth of ‘citizen science’ projects? (Jennifer Brown)

I think I also agree with Prof. Ritchie’s point. In a world of science as contemplation, how would you draw the boundaries between science and pseudo-science? (Deepanwita Dasgupta)

Might some of the wider engagement in the science enterprise be stimulated by an appreciation of uncertainty? Science involves recognition and appraisal of uncertainty, as a dynamic process. (Andrew Briggs)

My MP chairs the All Parliamentary Group of Christian MPs. At a hustings event he confirmed his disbelief in human-caused climate change. He has previously disregarded opportunities to discuss his reservations with a local Professor with relevant expertise. How helpful is this with regard to public understanding of science? (Alan Ramagek)

These are deeply relevant and practical questions on hard-nosed consequences of the right (or the wrong) public framing of science. I could not be more ashamed, saddened and frustrated to hear from Alan Ramagek of a Christian MP in a position of influence announcing against the weight of scientific evidence on climate change, and especially an unwillingness to enter into dialogue with someone with expertise there. But taking up an opposed, moral high ground and casting anathemas is also not the way forward. We might recall the panel discussion with Dr. Richie, who helpfully pointed out the cherry-picked bits of science by which pseudo-science (like climate change denial) proceeds. The uncertainty to which Andrew Briggs draws our attention is important to discuss, and paradoxically perhaps, it is through an offered and open discussion of that uncertainty that the skeptics might be attracted into a centre ground where there is something to play for. 

The problem when science is not shared by the experts is that truth becomes, as Andrew Jackson reminds us, ‘what I choose to believe.’ A more honestly shared process by which we come to know things, including the concomitant uncertainties, will, I believe, lead to less pseudo-science and anti-science, not more. Of course, I am not sure about that. But surely it is worth a try?

Psychological and Meditative Consequences

It seems to me that contemplation is often viewed as similar to other states, such as mindfulness and reflection. Does the panel have any thoughts on the difference/similarity between contemplation, mindfulness and reflection? (Roger Bretherton)

The practice of lectio divina is very well known in dealing with the Holy Scripture. Is it possible to develop something analogical in dealing with the Book of Nature? (Frank Velic)

The original Sanskrit word for ‘mindfulness’ is Samyak Smriti — literally ‘complete memory’. Deepanwita Dasgupta

These insights might add some depth to the ‘hidden’ or sub-conscious stages of insight that we discussed above. For the verification of scientific truth there is a (relatively) clear method of approach, but for the deeper process of insight – the creation of fresh scientific ideas about the world in the first place, there is no method. The case of lectio divina to which Frank Velic draws our attention, for example, contains the notion of reading from multiple perspectives. My own experience of science affirms that ‘reading’ nature in just one way is typically insufficient to set create a pathway to insight and new knowledge. Perhaps a more structured practice within science that drew on these traditions would be a way of instantiating the more recognized role of contemplation in science that I am recommending.

Natural Theology of Old and New Kinds

What do you mean by natural theology? (James Fowler)

From proverbs 2:

indeed, if you call out for insight

    and cry aloud for understanding,

and if you look for it as for silver

    and search for it as for hidden treasure,

then you will understand the fear of the LORD

    and find the knowledge of God.

And given the journey of the wise men – following the science (if you will) – bringing them to truth, a person – Jesus. To what extent is there a still a place for scientific truth leading directly to God? (Tim Craggs)

What Prof. McLeish is talking about – trying to see nature through God’s eyes – sounds remarkably like what the ascetic Fathers call ‘natural contemplation’. And the formulation ‘seeing through God’s eyes’ helps explain why such contemplation is seen as requiring a prior transformation in ourselves. An interesting question is the extent to which a scientific engagement with the creation of which we are part can contribute to that process of transformation – perhaps through deepening our awareness of our creaturehood? (Elizabeth Theokritoff)

Do you see it as an anthropological inspiration of the divine or merely seeing God within the confines of what you perceive nature to be? (James Fowler)

What is the methodology of looking with God into to the universe? Theologically, what are the spiritual disciplines of coming into alignment with the referent of God’s gaze into the ever-creative creation as the birthplace of wisdom/understanding? (Kaley Casenhiser)

Kaley Casenhiser asks the key question – so how do we do this? With what spiritual disciplines? Her question makes me think that science itself might be the ‘spiritual discipline’ that we seek, and that the answer is to recognise it as such, at least for those who practice it within a confessional calling. This may seem elitist and abstruse, but that is also, we recall, part of the problem of science currently – that it does not possess a ‘ladder’ of engagement from the lay to the professional. Once that is added back in, then the enjoyment of knowledge of the world becomes a shared spiritual discipline. I think that there are active extensions of this, however. For example, churches are natural local and global agents of ‘creation care’ as a result of scientific knowledge about anthropogenic effects on the planet. Kaley’s own work at the Creation Care Collective is, I think, a very good example (https://creationcarecollective.com/growingtogether/ ).

Kaley’s hint of an ingredient of the answer within her question – the ‘spiritual’ discipline that corresponds to a co-creaturely gaze into nature – suggests another direction, that of the third person of the Trinity. It is not merely that we are created in God’s image that allows us to invest meaning in this aligned, Divine gaze, but that we are ‘temples’ of the same Spirit.[2] This is surely the guarantee for Coleridge’s sanctification of the creative imagination as ‘little I AMs’. The point is made again by Malcolm Guite in contrasting Milton and Virgil in the connection, and disconnection, respectively, that they could claim with the foundational events of the distant past:[3]

For Virgil writing the Aeneid, there is an unbridgeable gap between the urbane Roman poet and the events of the heroic age he is describing. But, when Milton comes to describe the Spirit of God moving over the face of the water in the beginning, he does so in the conviction that the very same Spirit is equally present in his mind.

Science becomes a Spiritual (with a large ‘S’) discipline in this light. Again, perhaps this helps us to see why there is a tradition in confessional scientists, from Copernicus to Faraday, who see doing science as a form of worship.

So, there are two ways in which we must respond to this extremely deep question: first I think is the step of recognition that science is (or can be) the spiritual discipline of being a little I AM. Secondly, we need to let that insight drive a transformationwhat science is, certainly for believers, but beyond us, the communities we affect. There is one, perhaps bold, suggestion that presents itself here which parallels Sarah Coakley’s analogous thinking into a Théologie Totale – a practice of academic theology that is also an act of worship and religious contemplation. Might we explore a ‘Science Totale’, a practice of science, even a methodology, that unashamedly includes practices we would affirm as worship, meditation, contemplation of a devotional nature within scientific work? At the very least, such new modes of approaching scientific reflection might open up new channels of imaginative creativity, in which the deep, even sub-conscious interplay of structures and dynamics of our representations of the world come together in new ways. It would also call on new sources of desire – energies that are necessary to drive all creative processes.[4]

New Atheism

“Popular” science seems to be closely allied to a “new atheism”. Why do you think this is? (Gary Cliffe)

The way I look at it, science is a process; you make observations, and then develop theories — hypotheses if you like — to explain them (the World Around Us).  Facts emerge, but the theories or new hypotheses are a human construct and in a constant state of flux.  God doesn’t enter the process at all. (M E Bailey)

Doesn’t the conversation pantomime between the devout and the atheist need to be transcended? The crushing reality that ensues and the resulting understanding of the ‘nothingness’ that is exposed, this is the ‘something’ so powerful that can give meaning of life. The internal monologue of the struggle with our ‘self’ which characterises so much of the scholarship from Aristotle to Aquinas and to the Enlightenment is not necessary. I’m sure if Jesus was here right now, he would be saying: “You did what? You created what? A Church! No, No, that’s not what I meant !!” As William James stated, a ‘deflation at depth’ is necessary for Humans to ‘get out of the driving seat’, in order to allow an understanding of the concept of ‘there is a power greater than myself’. Discuss. (Andrew Meikle)

I wonder if M. E. Bailey helps to answer Gary Cliffe’s question? He hints at the story, so often constructed in the ‘new atheism’ (as well as the not-so-new to be honest), that the story of science is the story of a dawn-line slowly and inevitably traversing the world, replacing the darkness of ‘religious’ explanations of the world with the light of scientific ones. Among many modern voices, a version of this idea lies behind August Comte’s eras of civilization. Of course, the problem with it is that it can only be supported by processing historical evidence through a cherry-picker already set to its colour and size. It seems to me odd that it is ever claimed that fact of the ability to do science without a practicing belief in God is evidence of God’s non-existence. We don’t claim this for agriculture, medicine, knitting …, after all. The sleight of hand here is to pretend that the ‘facts’ of the world, ‘discovered’ by science amount to all that there is. What we have been affirming at this event is that science, as all human activity is relational. That relations between feeling, loving, fearing, suffering and hoping beings exist, and between them and their material world, and that these relations require healing and care, is itself an observation that, while true, is not a scientific one. It is part of the framing of science. Rowan Williams reminded us that we too often forget what it is to which we choose to pay attention. This is necessary to do science. It is necessary to do everything. But we should not forget that we are doing it, and that we need to pay attention to different things, and different aspects of the same thing, if we are to find the truth. 

Andrew Meikle reminds us correctly that this exercise of taking multiple perspectives onto the world will involve a de-centering of self. This is another reason, in passing, that the Book of Job, is so relevant a foundation-text for the relational discipline that became science. However, I cannot agree that being the Church is not an appropriate response to Jesus. Our church may indeed leave a lot to be desired. But I believe that a radical community in which there is no male nor female, no slave no free, no Jew or Gentile, that sort of radical community which also ‘groans with all of creation’ is to be the church that can effect the changes we have been discussing.

Education

I tried as a middle school science teacher to excite my student’s imagination. For example, I challenged them with the true statement of there only being one simple machine. Based on that information explain why there aren’t eight simple machines instead of the six we are told about. Why isn’t there a greater exposure to hermeneutics in education? (Richard Dube (he, him, his))

How could concepts such as creativity, imagination, joy of science, and their relation to Christian faith (looking WITH God) be combined into a module for teenagers at (UK) Sunday schools or (NL) midweek catechism sessions? (Jaap Den Doelder)

Talking about little leaps, can we have classic texts such as Faraday’s History of the Candle, or Darwin’s Origin of Species as readings on the Humanities side? (Deepanwita Dasgupta)

As an undergraduate scientist, “old science” seems full of poetry (Kekule’s, Loewi, etc) and a marvellously exciting process, while all the new fellows at my college just use machine learning or a set of bought assays! – is there hope for doing this excited poetic science even as technology advances? Google is unweaving the rainbow before we can look! (Ben Norris)

Might the ongoing and growing issue of Climate Change be a significant driver in persuading curriculum designers to move from their domain silos of separate subjects to a model where a range disciplines are in respectful dialogue and bring their expertise to bear on the great existential threat?   (Adrian Brown)

People like the panelists are part of the problem from a student’s point of view – universities use A level & GCSE grades to accept students for their courses.  Also universities want the ‘best’ students! (Martin Bassants)

That experience of sudden ‘insight’ – the coming together of ideas when making connections and discovering congruence – is not exclusively an activity when reasoning across science and religion. Do you agree that what makes it so hard today for children in school – is that this activity of ‘making connections’ is excluded by the setup of the isolated science classroom. If yes – and if schools demand assessment – can we ‘assess’ ability to make connections? (Berry Billingsley)

I think the ladder analogy is really important. Climbing higher involves work and effort from a secure lower step. I have a concern that in science teaching we try to be inclusive by holding it up as ‘easy’ – with perhaps the accumulation of facts being the relatively simple and simplistic way to measure it.  Do we need to get the idea across that you can have ‘fun’ as well as satisfaction from the hard as well as from the trivial. Not just in science, genuine thinking in any subject IS hard as you need both knowledge and imagination (and thanks to Tom poetry!). And also challenging debate! (Chris Hudson)

In addition to what may need to be improved in teaching science in schools and universities (as discussed this evening), what could be done at the other end – eg at seminaries / theological colleges – to improve the conversation and mutual learning between science and theology? (Guido de Graaff)

There are some wonderful examples of fresh, interdisciplinary and radical teaching in these comments and questions that are worth simply sharing with a ‘hooray,’ I think. I do know of some very successful science teaching that uses examples from the history of physics, for example, to teach the physics itself. There is every hope that, alongside a core curriculum of scientific knowledge, there will be room at every stage for an element of exploratory, even ‘playful’ science,  as Chris Hudson suggests, so that pupils will never have experience that would lead them to conclude that ‘science has no room for my imagination.’ Berry Billingsley points to the experience of ‘insight’ that may arise if this is done.

There is also a desperate need to develop post-16 curricula that do not ‘silo’ young people into the strict A-level boxes against which Martin Bassants inveighs. Texts such as Faraday’s candle, or current political issues such as climate change, or the Romantic poetry of the rainbow, are all examples through which humanities-leaning students might be found ways to shape a dialogue of learning with science, and by which science-leaning students might develop a maturity of language, writing and history. 

Christian Practice

Is part of the problem that Christians and many religious people have lost the art of contemplation? For example, Christianity in churches tends to represent God and what it offers as something to gain as if from a distance, rather than as closer to us than we are to ourselves, to half quote Augustine. To put it more epistemologically, Christianity has bought into the modern flip, in which truth is no longer thought to belong to the subjective realm, but the objective. (Mark Vernon)

Can a panelist address the role of discursive reason, or “rational” intellect? In eastern traditions it is often seen as divisive and dissecting. That is, it understands by dividing into component parts. It is not a “clear” seeing but rather heavily conditioned. Quite the opposite of “DIS-covery”. In some sense this suggest that “imagination” is not an activity of the “self” but rather a quieting of the self. A move beyond conditioning into open awareness. The reason I ask is because as a scientist it seems the generation and imagination of hypothesis is too often confused with deep thinking which in turn is often quite the opposite of unconditioned sight. (Carlos Neira)

Especially in evangelical churches, contemplation is rather rare. The nearest opportunity, even permission, we get is corporate worship. In these same churches there is the alarming suspicion of science and the active rise of the tawdry conflict between science and faith, witnessed by the rise of heterodoxy of young-earth creationism. Isn’t this a real and present danger to our Christian faith and witness? What coordinated steps can we take to provide resources to churches that actively include real science in the contemplation of corporate worship? (David Lee)

These comments and observations are so interesting, because they indicate that there is a forgetfulness of contemplation in (at least some) places in the church, as well as in science. As Mark Vernon suggests, this is not unconnected with the pretended dissection of subjective and objective that I tried to talk about in the lecture. Carlos Neira articulates beautifully the ‘in-betweenness’ of contemplation in science that allows the generation of ideas rather than the routine of measurement and checking. Perhaps there are new avenues of prayer and spiritual contemplation that might be fed by the wonder of material contemplation?

Lessons from the History of Science and Technology

Thanks for a great talk. Historians of science are also keen to think about practical science as well as what’s sometimes thought of as ‘pure’ science.  This involves awkward and apparently less spiritual things than Boyle talks about, such as money … I wonder where technology fits into your account, and the practice of thinking/imagining with our hands? (Charlotte Sleigh)

Might I suggest (from my own experience) that Industrial Science (if such a thing is allowed as a definition) provides plenty of cases where awe, wonder leads via creative technology development to results that might encourage the lay public in their faith in science (Jaap Den Doelder)

Question for Tom: why do you think it was possible for early modern people like Newton, Boyle, etc. to transgress disciplinary boundaries (e.g. between theology and natural philosophy), in a way that we are not able to do in our society and universities today? (Pui Ip)

As both the lecture and the response tonight showed, there’s a rich history of thought within the European Christian tradition that we can draw on to reclaim a contemplative, imaginative practice of science. If we aim to cultivate this kind of culture around science in multicultural societies with all kinds of complicated power dynamics at play, don’t we need to cede some of our intellectual ground to thinkers from other traditions which have less of a stark divide between science and contemplation/religion in their recent history?(Jenna Freudenburg)

Religion and science have been so intertwined since the very earliest of days. Religion to understand ourselves and our creator; science to know ourselves in the great scheme of the Almighty.  Why, how and when did religion and science become such “opponents” in the search for “truth”? When did the clear divide of what they are searching for become so blurred? The seemingly dogmatic argument in current times of “it is either science OR religion” ignores many beautiful characteristics of both disciplines.  When will scientists and the public who proclaim every new discovery, by either disproving a former scientific statement or at least proving it not concrete as formerly claimed, as absolute truth come to realise it proves the opposite for the argument of science as the sole custodian of that trophy?  Ignoring the miracles of both leads to a far less enlightened world. (Matt Burrows)

Would you recommend the education of the medieval concepts of virtue ethics, development of habit to graduate students in the hard sciences? This education would include the practice and perfecting of scientific experimentation, interpretation, to the point that there is not only technical mastery and data interpretation, but also to passively let the data inspire us to generate novel scientific paradigms (to be Kuhnian). How would you paraphrase the medieval contemplative terminologies to contemporary science postgrad students?(Arvin Gouw)

John Keats’ concept of ‘negative capability’ which has been given a more recent expression in popular culture thanks to Dust and the heroine Lyra’s use of the alethiometer in Philip Pullman’s His Dark Materials’ trilogy (the irony of bringing these books up in a debate involving theology is not lost on me!) springs immediately to mind as having some possible bearing on the understanding of the contemplative disposition and how it opens us up and connects us to the universe. (Kersten Hall)

Jaap Den Doelder and Charlotte Sleigh come at the question of technology from very different perspectives, and adding the essential historical insight into the entwining of industry and science, it is clear that we need to reform our fragmented notion of ‘pure’ and ‘applied’, just as much as we need to reconfigure and relate ‘science’ and ‘humanities.’ I am not sure that there are fundamental reasons why money, economy and industry should be less ‘spiritual’ than science – we are the inheritors (in the West at least) of centuries of snobbism over the hierarchical structure within which philosophy and industry occupy and upstairs and a downstairs, respectively. That also needs to change.

As Jaap well knows (and he is one of the great industrial scientists who taught me this), that there is every opportunity for healthy two-way flow of ideas in science between industry and academia. In fact, the fundamental piece of science on which we worked together – the relationship between the topological structure of branched polymers and the emergent properties of the viscoelastic fluids that they form – could only formulate its core-questions in the face of observations in an industrial setting. Yet they called on the deepest new imaginative work in statistical mechanics, which repeatedly called on exchange of samples, data, theories between university and industrial laboratories. I am increasingly convinced that we ought to write that story up as a case study in how ‘pure’ and ‘applied’ dissolve! And Charlotte’s point about ‘thinking with our hands’ is so very prescient – and I think might open up new routes into contemplative practice in science and spirituality (I think of the ‘Messy Church’ movement, for example).

Pui Ip’s question is perhaps a little strange given that it is from someone, to someone else, who have both ‘transgressed disciplinary boundaries’ in a way that he declares impossible (I do not claim for myself that I have done it successfully). But perhaps that indicates the answer: there are indeed institutional and cultural barriers to doing this; the rest is simply fear and lack of confidence. We live safely in our disciplinary silos of curricular, research topics, peer-review, professional organization, promotion criteria, journals, and so on. Quite a set of castle walls! But they do have doors in and people can walk through them. The more that do the better.

Jenna Freudenburg’s question turns our gaze not only on history but outside the Christian tradition, and is well taken. There have perhaps been misguided or overinflated attempts in the past to relate, e.g. modern physics to aspects of Eastern mysticism (I am thinking of The Tau of Physics and the like). But there is much more there of richness to absorb more gently. The ‘Ruist’ tradition of China. For example, contains clearer ideas of the embeddedness of human observers of nature in nature itself (the first of my four ‘turns’) than Western tradition, and poetry was always vital in Ruist cosmology.  

At the same (10th and 11th century) time, the great Islamic tradition of science was preparing the critical assessment and development of Aristotle that inspired, of course, the 12th century scientific renaissance in the Latin West. There is much of relevance here to students today, as Arvin Gouw suggests. I might have developed, for example, the insight that emotion and reason go hand-in-hand in working within the liberal arts, including the mathematical arts of the medieval quadrivium (they termed them aspectus and affectus). We need to teach our scientists not to be afraid of the emotional structure within the creative process of their work. And, equally ironically, Philip Pullman has (in Oxford theologian and contemporary of Darwin Aubrey Moore’s words) ‘in the guise of a foe, done the service of a friend’ in bringing a contemplative and poetic alternative framing of science.

Sarah Coakley adds:

 I don’t think we can simply fuse all kinds of ‘contemplation’ into one without some more intricate reflection on what metaphysic and practice(s) attend different versions thereof. There are certainly family resemblances between all sorts of things in this area (secular cognitive therapy, Buddhist mindfulness, attention to ‘school studies’, aesthetic ‘seeing’ of art objects, scientific wonder at the natural world, and so on); but ‘contemplation’ in the classic Christian sense does involve long-term commitment to particular practices of vulnerability and openness to God, including the enduring of inner ‘noise’ and many psychic upheavals, etc., en route to union with God. Above all, the major complication of sin cannot be left out of the Christian account of these matters, since sin – ex hypothesi – affects our senses and perceptions so profoundly. Hence the great interest in early modern science (see Peter Harrison’s work) in whether science itself could overcome these sin problems. 

In short, I don’t think the rhetorical call to ‘contemplation in science’ can, just by itself, overcome the profound issues of sin and blindness that those of us who are religious believe to be hugely problematic; nor can it short-circuit the commitments that much secular science has made to metaphysical adherences that stymie religious belief at the outset. 

Having said that, I profoundly agree with you that learning how to ‘see’ the world in the light of the divine infusion is the great invitation of Christianity, and hugely important to the scientific task too. But I fear there are no short cuts into this – which is why I’m continuing to work intensively on ‘spiritual sensation’ in the tradition and its many and conflicting interpretations. 


[1] Tom McLeish (2019), The Poetry and Music of Science. Oxford: Oxford University Press

[2] I am indebted to Rosie McLeish of Emmanuel College, Cambridge, for this point.

[3] Malcolm Guite (2012) Faith, Hope and Poetry. Oxford: Ashgate

[4] This interplay of desire (and emotion generally) and cognition in all creative process came to the fore in the research for The Poetry and Music of Science, surfacing in its own chapter (6)

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The Remarriage of Reason and Imagination

Image from the Catholic University of America Centre for the Study of Statemanship

Thinking in the modern world is characterised by fragmentation, opposition, split. The ubiquitous Cartesian dualism of mind and body (themselves split off by Descartes from talk about God) is just one of a set of divisions that, over three centuries, have worn themselves so smoothly into the fabric of the modern mind that we take them for granted, as self-evident, normative, obvious. Yet a longer historical, and wider geographical, view of cultural landscapes can put these assumptions into perspective, making it clearer that they are, just that – assumptions that may have served us for a while, but which we must move beyond.

Cover image courtesy of
Alexandra Carr

For once mind and body are dislocated, other dualisms follow. The opposition of subject and object, and of the physical and moral universes (Kant), of poetry and science (early Coleridge), of science and religion (Draper and White) – that emblematic late modern conflict, are all examples. But underneath all these fragmented separations lies, paradoxically, a set of connections. They all stem from a deliberate attempt to sever reason from imagination, and to hide the essentially theological foundation that, ultimately, holds them together.

In this short reflection, I want to uncover some of the reconnections of imagination and reason that lay behind the writing of The Poetry and Music of Science, in the company of just a few of the important thinkers from different centuries who have, perhaps, seen further than others. The high medieval polymaths Robert Grosseteste and St. Bonaventure, The Romantics Samuel Taylor Coleridge and George MacDonald, and the late modern philosopher Mary Midgely and contemporary poet Malcolm Guite will help us unpack the deep structure behind Einstein’s celebrated aphorism

Albert Einstein

Knowledge is limited; Imagination circles the world

The early modern renunciation of imagination as a route to knowledge in a complementary partnership with reason, is perhaps the singular most characteristic shift from medieval and renaissance natural philosophy to early modern science. So we find the collective and successive reinvigoration of sense, natural knowledge, imagination, memory and understanding characteristic of the philosophy of science of the 13th century replaced by an insistence that science should draw from fact and reason alone. At best a move to simplify the task of comprehending the world, but at worst the first step on the road to destroying it, it behoves us urgently now to think again.

Medieval Insight into Imagination

We start during an epoch of sophisticated and energetic free thinking before the multiple fragmentations set in. This is the remarkably creative intellectual world of the 13th century Latin West, invigorated by newly-translated science and philosophy from both Ancient Greece and early-medieval Islamic commentary. Contrast this summary of what we might term ‘theological epistemology’ from the early Franciscan thinker St. Bonaventure’s 1259 Itinerarium Mentis ad Deum (the Mind’s Road to God)

Therefore, according to the six stages of ascension into God, there are six stages of the soul’s powers by which we mount from the depths to the heights, from the external to the internal, from the temporal to the eternal–to wit, sense, imagination, reason, intellect, intelligence, and the apex of the mind, the illumination of conscience (“Synteresis”). These stages are implanted in us by nature, deformed by sin, reformed by grace, to be purged by justice, exercised by knowledge, perfected by wisdom.

with a ‘statute of limitation’ from Thomas Sprat, writing what was essentially the manifesto for the Royal Society in 1667, who urged his readers to:

separate the knowledge of Nature from the colours of Rhetoric, the devices of Fancy or the delightful deceits of Fables.

The first knits the imaginative and reasoning aspects of the mind together in a journey towards understanding, the second insists on a reduction in those faculties chosen as recruits to a knowledge of the world. To the modern mind, Bonaventure seems to be making a purely inner, ‘spiritual’, journey. But this is itself a projection of our modern mindset. For the early Franciscans, a discovery of God would always also entail a discovery of the divine mind, in which lies the conception of the world in all its multilayered physical and material polychromy. So Robert Grosseteste can write a generation before Bonaventure of the journey of the informed imagination beneath the surface of the world in his commentary on Aristotle’s Posterior Analytics:

A 14th century image of Robert Grosseteste as Bishop of Lincoln

Sollertia [the Latin translation of agchinoia, which might also be rendered ‘acumen’], then, is a penetrative power by which the vision of the mind does not rest on the surface of the thing seen, but penetrates it until it reaches a thing naturally linked to itself . In the same way as corporal vision, falling on a coloured object, does not rest there, but penetrates into the internal connectivity and integrity of the coloured object, from which connectivity its colour emerges, and again penetrates this connectivity until it reaches the elementary qualities from which the connectivity proceeds.

Without the ‘penetrative power’ of the ‘vision of the mind’ there can be no conceptualisation of nature’s inner structure. If 21st century science has forgotten this, 13th century science had not.

The advantages of Cartesian division are methodological – a limited focus on experimental method (though that itself is a work of immense theological imagination), hypothesis-testing, clear differentiation of subject and object – got modern science going. But the costs are becoming clearer, for not only are the dehumanising impoverishments of the ‘Two Cultures’ narrative diminishing possibilities in the education of today’s children, and the potentials of the adults they become, but the very framing of science as unimaginative is closing off routes to new discoveries, and placing the social and political framing of science at a dangerously alien distance from most people.

Coleridge and the Source of Imagination

A strong counter-cultural voice at the turn of the 18th to 19th centuries belonged to Samuel Taylor Coleridge. Although it was Coleridge who insisted that the opposite of ‘poetry’ was not ‘prose’, but ‘science’, by this he meant the dreary assembly of fact and mechanism that science had become under the aegis of its national institutions. A closer look at, for example his long collaboration in both poetry and chemistry with Humphrey Davy at the Royal Institution, or his collaboration with William Wordsworth on the Lyrical Ballads with its strong invocation of science as a potential source of poetic song, indicates that he believed that the opposite could be true. At Davy’s invitation, Coleridge lectured on Poetry and the Imagination at the Royal Institution in 1808, in spite of Davy’s clearly mixed view of the poet’s genius which, though possessing ‘exalted genius, enlarged views, sensitive heart and enlarged mind’, still wanted, in the scientist’s opinion, ‘order, precision and regularity.’

Samuel Taylor Coleridge by Peter Vandyke (source: Wikipedia)

Far less well-known than his early poetry, written at the end of the 18th century with its well-deserved reputation, are Coleridge’s writings that spring from theological and philosophical reflection over the first decades of the 19th. His own experience of the creative imagination, fed as it was both by the. science he loved (he read Newton’s Opticks in its entirety), together with a powerful, even shocking, personal revelation through the contemplation of Moses’ encounter with God at the burning bush (Exodus chapter 3). He writes in chapter 13 of his Biographia:

The Primary Imagination I hold to be the living power and primary agent of all creation as a repetition in the finite mind of the eternal act of creation in the infinite I AM.

As Malcolm Guite has pointed out (see below), Coleridge restores the original, and eternal co-existence of subject and object, whose divorce had been codified by Kant, in the theological insight that humans, created in imago Dei are ourselves both created and observed object and living, creating and participating subjects. In a remarkably prescient insight, Coleridge is here writing, not immediately of the imagination that science, or of poetry, requires, of hidden inner structure to nature (that, related, human endeavour is the ‘Secondary Imagination’, but of ‘mere’ sensory perception itself – this is the ‘Primary Imagination’ whose power draws from the projected energies of Creation itself. But once this is understood, the connectivity between the proceeding, and cousinly, secondary imaginations of both science and poetry is laid bare. The greatest of all early modern. astronomers, Johannes Kepler, would have understood – he who contemplated the humble glory of ‘thinking God’s thoughts after Him.’

George MacDonald and the Power of Imagination

The inventor of ‘fantasy literature’, lauded by C.S. Lewis and J.R.R. Tolkien, is himself now not very much read. Yet George MacDonald’s literary production, including fictional works such as Lilith, opened possibilities for the literary creation of worlds than enabled these, and others to call them up into the forms of Narnia and of Middle Earth that have not yet seen an equal. Like Coleridge, MacDonald also wrote in philosophical/theological mode, and unfortunately like the poet, this genre is much less well known than his artistic writing. It is worth quoting a core paragraph from his 1867 essay, The Imagination, its Function and its Culture in full. It starts in an imagined dialogue with a disciple of Thomas Sprat:

Illustration from MacDonald’s The Golden Key

“But the facts of Nature are to be discovered only by observation and experiment.” True. But how does the man of science come to think of his experiments? Does observation reach to the non-present, the possible, the yet unconceived? Even if it showed you the experiments which ought to be made, will observation reveal to you the experiments which might be made? And who can tell of which kind is the one that carries in its bosom the secret of the law you seek? We yield you your facts. The laws we claim for the prophetic imagination. “He hath set the world in man’s heart,” not in his understanding. And the heart must open the door to the understanding. It is the far-seeing imagination which beholds what might be a form of things, and says to the intellect: “Try whether that may not be the form of these things;” which beholds or invents a harmonious relation of parts and operations, and sends the intellect to find out whether that be not the harmonious relation of them—that is, the law of the phenomenon it contemplates. Nay, the poetic relations themselves in the phenomenon may suggest to the imagination the law that rules its scientific life. Yea, more than this: we dare to claim for the true, childlike, humble imagination, such an inward oneness with the laws of the universe that it possesses in itself an insight into the very nature of things.

The unmistakable resonances with Grosseteste’s sanctified gaze beneath the surface of the world, and the insight from Coleridge that we possess ‘the world in man’s heart’ because we are ‘little I AM’s, combine with the juxtaposition of ‘poetic relations’ with ‘the scientific life’. MacDonald continues, ‘to inquire into what God has made is the main function of the imagination … The man has but to light the lamp within the form, his imagination is the light, it is not the form.’ This is as close as I have found in existing writing to the reason I gave for writing about the ‘Poetry of Science’. As some readers have complained, the book does not discuss poetry about science, or inspired by science at all. Rather, poetry becomes the metaphor for science because both shape the power, or ‘light’, of imagination by the creative constraints of ‘form’. In poetry the form is literary, in science simply the form provided by the world as we observe it.

Mary Midgley on Science, Poetry and the Imagination

But perhaps as Coleridge and MacDonald hint, there is a closer connection between science and poetry than the merely metaphorical. The North-East of England’s most visionary 20th century philosopher, Mary Midgley chose Science and Poetry as the title of a book which, although like The Poetry and Music of Science does not discuss much poetry, nevertheless sees the poetry-science nexus as the necessary road to bridging the science and arts, imagination and reason, and recovering freedom from determinism.

In particular, Midgley takes as a theme for the book the ‘dependence of detailed thought on entirely non-detailed visions’. This captures precisely the first stage of the ‘creation narrative’ I described in Poetry and Music of Science, as common in artistic creation as in scientific, in which a distant, defocused, half-conceived vision of a poem, picture, composition, theory, hypothesis, novel … is glimpsed, but without at first either a firm structure or a clear pathway to its realisation. It is the imaginative conception of this apparition, and its generation of the desire to discover it in its fullness and entirety, that Midgley terms ‘poetry’ for the sake of her thesis. She continues:

Mary Midgley

What makes theories persuasive in the first place is some other quality in their vision, something in them which answers to a wider need. There is always an imaginative appeal involved as well as an intellectual thirst for understanding.

Science and Poetry also tackles the related dualism of subject and object, noting that there is a right, but also a wrong way of attempting to unite them. The wrong way is to make something called ‘consciousness’ an isolatable, objective puzzle. In this endless self-referential and circular labyrinth, the subject becomes it’s own solipsistic object:

To suppose that we have a problem about the existence of other minds is to be in trouble already because it is to have started in the wrong place – Descarte’s wrong place. If we once sit down in that place we shall never get rid of the problem (Bertrand Russell, who was wedded to this starting point, never did get rid of it). This approach conceives of minds – or consciousness – unrealistically as self-contained, isolated both from each other and from the world around them. It is terminally solipsistic.

Midgley’s vision bursts the Descartian isolationism that insists on suppressing the essentially relational task of all art and science. The task is a healing of a set of broken relationships to each other and to the natural world itself. As George Steiner put it (in Real Presences):

Only art can go some way towards making accessible, towards waking into some measure of communicability, the shear inhuman otherness of matter.

But art (and of course, pace Steiner, science – for what else could science be doing?) can never hope to do this if its ‘imagination’ is caught in a solipsistic loop of self-reference. It must be, as Steiner writes elsewhere in his weighty little book, ‘a wager on transcendence.’ Imagination’s source, as Coleridge perceived, is outside us, but, as MacDonald clarified, shines though us illuminating the world, and each other’s consciousness, by reflection.

Malcolm Guite and the Epistemology of Imagination

The poet, scholar and priest Malcolm Guite, who has just completed a term as chaplain to Girton College, Cambridge, has written a glorious book on the topic of ‘re-imagining imagination’. Faith, Hope and Poetry; Theology and the Poetic Imagination (Ashgate 2012). His declared task is to reconceive (which amounts to the rousing from a cultural amnesia) the imagination as a route to knowledge in partnership with reason. Guite has no illusion over the magnitude, nor the essential importance, of this task, and articulates supremely well the challenge of centuries of modernist (and pre-modern too) assumptions that confuse (in Coleridge’s terms) ‘imagination’ with mere ‘fancy’, and so debar it from any efficacy in the acquisition of knowledge. The illumination of Christian theology and experience becomes essential to understand both the problem and the task. From Augustine (if perhaps mis-read) to Bacon, reason is supposed less ‘fallen’ less damaged or prone to mis-shapen perversion than ‘imagination’, yet ‘these two ways of knowing are mutually enfolded and depend on one another.’

The key idea, threading its way through the book (which also picks up on Midgley’ writings and above all those of Coleridge) is that:

Malcolm Guite

If part of the Imago Dei is itself our creative imagination then we should expect the action of the Word, indwelling and redeeming fallen humanity, to begin in, and work outward through, the human imagination. If this is so then we should be able to discern the presence of that Word in the works of art which are the fruit of out imagination.

Furthermore, Guite knows that this must be true of science as well:

I want to support [Mary Midgley’s] thesis that the poetic imagination is fully engaged in scientific endeavour and also that poetry is capable of refining and expressing the doubt, as well as the faith, that is part of the dynamic of both science and theology.

Where poetry, science and theology combine is in the perspective or the projection of gaze onto and into the world that I also wrote about in Faith and Wisdom in Science. We look upon the world as an image, and with the same imagination of the gaze of love that is bestowed by its first Creator. Our poetry, finding form for expression, and our science, exploring in the imagination of theory the form of observational constraint, are related acts of ‘waking into some measure of communicability, the shear inhuman otherness of matter.’

Commenting on Coleridge’s celebrated long poem The Ancient Mariner, Guite comments on the moment of redemption when the mariner gazes down at a shoal of writhing water-snakes illuminated by reflected moonlight, and realises their happiness and beauty. ‘It is though by seeing these creatures in moonlight he is given, however briefly, some notion of how God sees them. That idea, that we must learn to look upon nature from a Creator’s perspective, turning that into a creator’s perspective, is a very ancient, and poetic notion.

Job and the Wisdom of Imagination

It is, precisely, in the highest and best of all Hebrew poetry in the Bible that we are presented with the same double and patterned vision of divine and human imaginative gaze onto the natural world. For when Yahweh finally answers Job’s anguished demands for an answer to the uncontrolled and unjust world as it appears to him, the righteous suffering human is taken (in Job chapter 38) on a a questioning exploration of the heavenly, watery and earthly structures of that very cosmos:

When all the angels sang for joy
Job Ch. 38
Illustrated by William Blake

Have you entered the storehouses of the snow? Or have you seen the arsenals of the hail, …

Where is the realm where heat is created, which the sirocco spreads across the earth? Who cuts a channel for the torrent of rain, a path for the thunderbolt? ...

Can you bind the cluster of the Pleiades, or loose Orion’s belt? Can you bring out Mazzaroth in its season, or guide Aldebaran with its train? Do you determine the laws of the heaven? Can you establish its rule upon earth?

These are the questions, sprung from an imagination confronted by the tensions of nature’s order and chaos that require a reconciliation through deep observation and contemplation. The great poem of the ‘Lord’s Answer’ to Job, from which these verses are selected, is a response to many earlier sections of the text. In some ways it responds to the entire sequence of discourses between Job and his friends, for whom natural objects (rocks, plants, trees, stars, milk, winds, floods …) are a continuous source of metaphors for the human condition. It certainly picks up on the references to Genesis in chapter 3 of the book. But its chief precedent is the equally great poem, the ‘Hymn to Wisdom’ of chapter 28. Here the uniquely human potential to explore the hidden structure of the world is portrayed through the underground view of the miner, who sees what no animal eye can see – the jewels, seams of precious metals, and ‘the earth transformed below by fire’. There is a shocking juxtaposition and comparison with the Divine gaze, which at the hymn’s close is revealed:

God understands the way to it
    and he alone knows where it dwells,
 for he views the ends of the earth
    and sees everything under the heavens.
 When he established the force of the wind
    and measured out the waters,
 when he made a decree for the rain
    and a path for the thunderstorm,

For Basil the Great, who wrote the first major commentary on Job that we possess, the attribution of this divine perspective on nature was too much to swallow – he assumed that the opening verses on the subterranean vista was also referring to divine sight. But the Hebrew wisdom verse is clear – the mark of the maker that is to perceive the world by measure is also a vocation to humans mandated to make that world fruitful.

The Theological Energy of Scientific Imagination

If Malcolm Guite is correct when he conjectures that poetry is inextricably God-breathed, and so will display signs of transcendence even at the authorial hands of those who deny the divine, and if it is true that the same energies of imagination and divine perspective are present in the poetic form which we call science, then it ought also to be true that science itself cannot help but signify the transcendence of love, reconciliation, hope and resurrection.

I must insist that this is not a ‘natural theology’ of the 19th century sort advanced by Paley and others. That hopeless and watery fancy that we would perceive God through observing nature, as deducing the existence of a watchmaker from the intricacies of a watch, is as far from this idea as night is from day. More precisely, the adoption of the Creatorly gaze by the human creature possesses arguably an exactly opposite orientation. For, rather than looking through nature to a distant, dim and distorted divinity, we are called to look into the world from the same perspective as God. The closer we are to God, and the more faithfully we look with his gaze, then the less directly we see him. The more our perception and attitude towards nature aligns with that of its Creator, the more we look with, rather than towards, him. So the theological import of science is not that it ‘gives evidence for God’ but that by doing science at all we participate in the mystery of a relationship with the rest of creation that holds together both the transcendence of distance and the imminence of our own materiality.

Artwork from Reverend Ally

The glimpses of eternity and hope that Guite finds in the poetry of those who disavow theistic belief are there for those who have eyes to see at every turn of our science. For what is true of the one imaginative energy, whose source is from the Creator himself, must be true of the other. If both poetry and science ‘wake into some measure of communicability the shear inhuman otherness of matter,’ then both must open pathways to such transcendence both ways. A covenant relationship with the material world (another idea from the poetry of Job) is also a covenant relationship with its Maker. One cannot look upon Le Maitre’s mathematical solution of Einstein’s field equations for the universe as a whole without thinking of Julian of Norwich’s vision of the hazelnut in her cupped hands that was revealed as ‘all that is’.

Electron micrograph of a
self-assembled lipid vesicle.

A moment’s reflection on the theory of self-assembly of biological cells’ lipid membranes, displaying spontaneous order among a sea of thermal chaos that turns out to be necessary to their formation, parallels perfectly the Joban discourse of how apparently chaotic floods are channeled into water-courses, forming their pathways. The apparently threatening inhuman forces of nature that confront us in our immaturity become understood and reconciled when we build the ‘poetic’ forms of a scientific theory of nature to meet them.

Like the Ancient Mariner turning from the initial strangeness and fear of the roiling underwater snakes and finding symbols of healing, we can face the inhuman materiality of the world through the scientific imagination, and turn from its infinite spaces without horror, but with a redeemed reverence and respect, and an understanding that leads us home.

The Poetry and Music of Science

In this month’s blog, I write about the story of a new book, out in March 2019 with OUP, The Poetry and Music of Science. It follows from one of the consequences of a ‘theology of science’ articulated in Faith and Wisdom in Science – that of the ‘healing of the academy’. If the first is my ‘not a science and religion book’, then this is my ‘not the two-cultures book’. Here is how it happened, once upon a time ….Coverpic small

 

‘I just didn’t see in science any room for my own imagination or creativity.’

Not just on one occasion, but repeatedly have I heard this from young students bright enough to have succeeded at any subject they set their minds to. Yet it doesn’t take an Einstein to observe that without the essential first step, without a creative re-imagining of nature, a conceiving of hypotheses for what might be going on behind the perceived surface of phenomena, there can be no science at all. Einstein did of course have something to say on the matter, in his book with Leopold Infeld:

I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.

Every scientist knows this, but for two centuries we have fallen largely silent about it, preferring instead a narrative about the ‘empirical method’ or, ‘the logic of scientific discovery.’ Science education is full of it, favouring the presentation of results, rather than the human stories of wonder, imagination, failed ideas and those glorious and uninvited moments of illumination that thread through the lives of all who actually do science. Our media mouths the same message – ‘there is no room for imagination in science’ assured the presenter of a TV documentary on computer science, face to camera. No wonder my young colleagues became disillusioned.

If scientists are somewhat shy about their experiences of imagination, then I found that the artists, writers and composers I spoke to needed the same patience (and similarly the occasional drink) to draw them out on their repeated need to experiment. Scraping the paint from the canvas, re-drafting the novel for the tenth time, rescoring the thematic musical material is, as every artist knows, the consequence of the material constraints that creativity meets unanticipated. The artist, too, makes hypotheses about how her material, words or sounds will achieve the goal in mind, however indistinctly conceived. The historically simultaneous birth of the English novel and the experimental method in science turns out to be no coincidence. Without making the naïve claim that art and science are in any sense ‘doing the same thing’, the similarities in the experience of those who work with them are remarkable. They need digging out because they become obscured by scientists shy of talking about imagination and artists about experiment.

physics-schrodinger-s-formula-freezelight-bokeh-schrödinger-equation-quantum-mechanics-99006614The project of listening to anyone who creates, be it with music or mathematics, oil paint or quantum theory, and the creative power of the constraints they encounter, became itself the project of a book. Yet in a strange obedience to the pattern of its material, the originally-imagined plot of The Poetry and Music of Science refused to play out. Juxtaposed catalogues of creation in science and art, followed by an extended ‘contrast and compare’ essay, increasingly failed to do justice to the material. Historical and contemporary sources were telling a very different story about creative imagination, one that did not divide across the worn-out lines of ‘The Two Cultures’. Instead, a pattern of three ‘modes’ of creative expression seemed more faithful.

Visual imagination is, of course, the chief source for the artist, but the same is true for many scientists, from molecular biology to astrophysics. Astronomy is the provider of the original projective perspective. If the observer of a painting is asked to re-create a three-dimensional world from a representation or impression on a two-dimensional canvas, then the task of ‘seeing’ the universe from the picture that we call the sky, bears clear structural resemblance.

A second mode is textual and linguistic. The entanglement between science and the written word in prose or poetry may possess a principle knot at the birth of the novel, as we have already noted, but its story is a much longer one. It also has an ‘alternative history’, envisioned by Wordsworth (and surely Goethe and Humboldt before him) in which

The remotest discoveries of the Chemist, the Botanist, or Mineralogist, will be as proper objects of the Poet’s art as any upon which it can be employed, if the time should ever come when these things shall be familiar to us.

With notable exceptions (such as R S Thomas and occasionally W B Yeats in poetry, and the ever-present fluttering trespass of Vladimir Nabukov’s beloved butterflies from his scientific work into his novels) this early-Romantic vision has sadly yet to be fulfilled, and is surely frustrated by the very desiccated presentation of science with which we began.

Imagination’s third mode appears as both pictures and words fade away. For there, when we might have expected a creative vacuum, we find instead the wonderful and mysterious abstractions of music and of mathematics. This shared space is surely why these two have something in common – it is surely not their superficial sharing in numerical structure that links melody and harmony with mathematical structure, but their representational forms in entire universes of our mental making.

Lion-man-angles-Vergleich-drei-Ganzkörper-Ansichten

The 40000 year old ‘Lion Man’ ivory (Museum of Ulm)

When a journey has taken one to as numinous a place as this, it is but a short step to recognise the need for theological thinking to make sense of it all. The anthropology and cognitive neuroscience of creativity is fascinating, the one taking as to the stone tools of our distant ancestors at the dawn of humanity, the other to the delicate balance between the analytic left hemisphere of our brains and the integrative right. The philosophical tradition is equally rich, discovering, for example Levinas’ suspicion of the ‘visual’ mode for its implied distancing, preferring the ‘musical or auditory’ for its immersion of subject in object. But theology seems to be unique in maintaining possession of the critical tools necessary to tease out the role of purpose in human creativity. Both the artistic and scientific modes of re-imagining nature seem to have been part of what drives humans to be human for as long as the records of those attempts have survived. It is the rich tradition of understanding humans themselves as some form of living ‘image’ – the Imago Dei – that does justice to the experience of deploying creativity to a purpose. George Steiner wrote in his Real Presences:

Only art can go some way towards making accessible, towards waking into some measure of communicability, the sheer inhuman otherness of matter
I could say precisely the same of science.

Faith in Science Education – Wisdom in how we do it

Faith and Wisdom in Science – the blog did take a summer break.  But other things happened.  In particular I had the opportunity to write (at 24 hours notice) an opinion piece for The Guardian newspaper in the UK (published August 14th) on the importance of children experiencing open-ended experimental science while at school.  There is growing evidence that this is enormously beneficial to core science learning, but, as readers of Faith and Wisdom in Science will know, it also touches on a deeply theological nerve.  Becoming reconciled with nature means working with it and observing.  This is something that everyone can experience and enjoy.

The Guardian article as printed is here (it also made the weekly printed Guardian International, to which we have subscribed for years – I was delighted!). But I thought that the full original drafted version, before editor’s cuts, might be interesting to post.  So that follows.  The most important thing is that Job made the final cut!

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Science is not just the preserve of stereotypical brainy boffins you see on TV. Speaking to the Times yesterday, head of the British Science Association Katherine Mathieson, said this public image was not helpful and that she’d prefer to “see a few years of genuine open-ended research by pupils, rather than fiddling around with beakers”. She also worries that science is not a topic of common conversation. Rightly so – if we can get our minds around Premier League strategy then complexity is not the issue.’

Mathieson is right to raise concerns. The ability of people to understand the world they live in increasingly depends on their understanding of scientific ideas. Science allows us to learn reliably about nature – if an experimental result does not support a specific idea, then the idea has to be rejected or modified and then tested again. For most people such understanding by imagination and experimentation comes through education. ​Great teachers are the driving force behind the UK’s position as a global scientific powerhouse.

However, overly-tight accountability measures, rapidly changing curricula and burdensome pupil progress monitoring are just some of the enormous pressures on schools that impede creating an environment in which tomorrow’s scientists can learn and grow. Teachers often have to carry out experiments in their own time and beyond the curriculum by joining schemes like our Partnership Grants.

In 2013, a report published by SCORE found that a worrying number of primary students were not experiencing a complete science education due to a lack of resources for practical work, with the average school having only 46% of the equipment needed. The UK is failing to create a scientifically informed society that can confidently hold science properly to account by engaging, enjoying and, yes, criticising it.

Children learn about music by trying their hand at composing a song or joining a jazz trio or string quartet. Others take GCSE Art, where we expect them to try out sketching and use watercolours, mixed-media or creative photography to learn about the subject. Even the most doting relative does not expect these creations to end up in a museum or concert hall, but what they teach our children about the artistic process is essential.

Science should be treated the same way. Humans have always been curious about the natural world and the stuff that makes it up. In the Book of Job, an ancient poem asks why the stars of the Pleiades are bound together, while those of Orion are scattered. Centuries before we formalised the scientific method, we had thoughtful and playful experiments with light, glass and water as well as astonishingly careful observations of the stars. People dreamed up imaginative theories of what might be going on up in rainbows and down inside liquids and solids. It wasn’t always right, but even now science can be a messy business on the path to truth. Why should things be different in 2017?

The Royal Society emphasises ‘experimental’ over ‘practical’ science, where curiosity should go beyond following a simple recipe and people should simply try something – a thoughtful way of looking for answers. We need to reverse recent trends and increase the amount of time and money invested in experimental and problem-solving work in science and mathematics education through access to adequately resourced laboratories and well-trained teachers. To support this activity in primary schools, Brian Cox, the Royal Society’s Professor for Public Engagement in Science, presents a series of video resources to increase teachers’ confidence with experimental science and relate the experiments to the real world. https://www.youtube.com/playlist?list=PLg7f-TkW11iU11yatk_TcbA2tGH_WLe8d

Before you reach out for your Rousseaus to bash me over the head with, I want to reassure you that experimental science in education complements rather than replaces the learning of core scientific understanding. Sir John Holman found that investigative science improved attainment in core science exams, with greater effect for pupils in less privileged areas. There are other signs of new growth – the new Institute for Research in Schools is right now realising Mathieson’s vision of ‘genuine open-ended research by pupils’.

We currently have many examples of good practice at primary and secondary schools and colleges across the UK. Investing in experimental science in all our schools to help future generations make better sense of the world around them means that one day we will have confident opinions on scientific issues like we do on technical matters like Premier League team strategies.

 

The Book of Job and Science come alive on Stage!

Faith-In-The-Questions-poster-423x600Imagine the long river of longing, questioning, pain and triumph, that starts from the pen of the long lost author of the Book of Job, and flows to the present day, when human desire to see deeply into the structure of nature takes the form of ‘science’.  Both of the great wisdom poems in Job, the ‘Hymn to Wisdom’ of chapter 28 and the ‘Lord’s Answer’ of chapters 38-42 describe reaching out into the cosmos, and deep down into the structure of the Earth with the insight and imagination of mind and eye.  They also grasp the nettle of pain, of the frustration of incomprehension, especially in the face of the chaotic, the unpredictable, the seemingly purposeless.  This is also why science is also so very deeply human – all of life, hope and creativity is there.

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Justin Butcher plays Job

Now imagine these two visions – the ancient poetic figure of Job, and that of a modern scientist facing the challenges of the unknown – brought into the same focus, the old longing to understand meeting the severe challenges of physics, mathematics and nature.  Job and his friends circle around each other, around the unanswered questions, and on a stage that circles itself amid a cosmic backdrop of the universe he longs to comprehend, including its chaotic and threatening aspects.

 

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Job rails against his comforters

 

 

It was brilliant.  It worked. Job as scientist, Christian, and sufferer, right but also self-righteous.  Felix’ articulation of view of those for whom science is a threat, an inhuman desiccated exercise of the mind that dries up emotion and aesthetic.  And it sparked off wonderful questions and discussion for the panel of four scientists who are also Christians each evening.

Personally, working with Riding Lights and Nigel Forde has been inspiring.  To see some of the themes (and even some of the lines!) of Faith and Wisdom in Science woven into a vibrant dialogue between a modern day Job and his friends, has been a wondrous experience.

It left us all wanting to do more, to help the church embrace science as a gift of God, to support scientists in their calling, to appreciate the interplay of science and art in being human for everyone, to participate in the great work of healing our relationship with nature.

Look out for it later this year or next on a national tour!

Theatre, Science, the Book of Job – and Faith in the Questions

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FaWis_450A play based on connections between the Book of Job and science!

This is going to be an exciting week (quite apart from a general election in the UK).  Financial support from the Durham-based Equipping Christian Leaders in an Age of Science project has allowed the development of a one-act play exploring the idea proposed in Faith and Wisdom in Science that the Old Testament Book of Job serves as a fundamental text from which we can trace the questions which today underpin the wonderful human cultural activity that we call ‘Science’.  In particular it takes the essential, and paradoxical, form of questions that is assumed by the ‘Lord’s Answer’ to Job in the Biblical book.

Faith-In-The-Questions-poster-423x600A group of us in York have been working with the well-known theatre company Riding Lights and their writer Nigel Forde on the play Counting the Clouds.  To find out more you will really have to get along to St. Michael-le-Belfrey church (hard by York Minster) at 7.30 pm on the evenings of Thursday, Friday or Saturday June 8th, 9th and 10th.  Suffice it to say that the afflicted yet faithful Job is, in the play, a contemporary scientists, and that one of his ‘comforters’ includes a hard-line humanities-trained clergyman for whom science is a spoiler, a destroyer of wonder, and a threat to his faith.  Both have things to learn.

On each evening, the play will be followed by a second hour of panel discussion between the audience and a group of scientists who are also Christians.  It’s not impossible that I will be among them, but so will Steve Smye OBE of Leeds University and the National Institute of Health Research, and others of wide and deep experience.

foi-logoThe event, Faith in the Questions, forms part of York’s current Festival of Ideas, in which there is lots more on art, literature, politics, science, theology and more to entertain, educate and inspire – so get up to York this week, join in the discussion, and experience Counting the Clouds!.

You can find more information on the event and booking here.

 

 

Shakespeare and the Scientific Imagination

What fun it is to roll up the sleeves, make for the Forest of Arden, and join the dance this weekend in celebration of the life of England’s greatest writer, and the greatest writer of English.  All are welcome, and the marvellous universality and plasticity of Shakespeare’s thought and language mean that story, politics, dance, war, love, music – all life, all perspectives play out and discover themselves in the living plays and poems of the Bard.

So what about science? The Guardian’s weekly podcast has invited scholars to unpack the psychology of hallucinations in Macbeth, the meteorology of tempests in – well – of course, The Tempest and the rhetoric of crowd control in Julius Caesar.  But what of science itself?  Does the deepest drawer from the well of English language pour out for us any metaphor, any narrative that might help us grasp what this extraordinary empowering is – that we are able, with our eyes and minds, to comprehend nature inwardly as well as outwardly?

 

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Sir Joseph Noel Paton’s The Quarrel of Oberon and Titania; Scottish National Gallery

 

Of course he does; but we need to read carefully – not all writing about ‘science’, perhaps even the majority of it, owns the name.  For ‘science’ is a new term for a long human story that is far better referred to by its older name ‘natural philosophy’ – ‘the love of wisdom to do with nature’.  The long case for this long story is what Faith and Wisdom in Science is all about.  It tells a tale of purpose too, of a broken relationship with nature, characterised by ignorance and harm gradually, by a labour of love, receiving healing through knowledge and wisdom.  A ‘sheer inhuman otherness’ of nature, identified in the 20th century by thinkers like Steiner and Arendt is gently rendered ‘commensurable’, one might say ‘imaginable’.  Steiner writes that this is the role of art, but it answers perfectly the question of what science is for.

So let us hear Theseus in A Midsummer Night’s Dream expand on the poet’s work, in his ostensible brush-off of lunatic, lover and poet in one apparently dismissive wave of the hand (Act V Scene I):

The poet’s eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.

Shakespeare’s ‘poet’ gazes over the entire universe, and in the pattern of the natural science texts from antiquity and the early medieval centuries from the genre De Rerum Natura (Lucretius, Pliny, Isidore of Seville, Bede) starts with the heavens and encompasses all as it falls earthward.  The universe is full of ‘the forms of things unknown’, but the poet give them form – a form that allows their image to dwell with humans.  It is a sort of incarnation – the heavenly and unknown ‘dwells among us’ in its local habitation.  Above all, the nameless is given a name, so that we can know it, refer to it, describe its relations, powers and inner nature.  For Shakespeare, the poet’s task is identical to that of science.

Perhaps that is why Wordsworth (in his preface to Lyrical Ballards) juxtaposed the poet and the scientist, declaring both to be seekers of truth, and predicting that the poet would inspire and light up the new findings of the scientist in ways that would stir the human soul.  Here he is in transcendent mood on the statue of Newton:

… with his prism and silent face

The marble index of a mind for ever

Voyaging through strange seas of thought, alone.

‘Giving to airy nothing a local habitation and a name’ is a wonderfully rich description of what science does, why it is so deeply human, and why it can stir in us an aesthetic as rich as poetry or music.  Vitally, it also draws on the same aesthetic to power its difficult search for words, names, forms that represent, that re-create, the universe around us.  The Dirac field of electrons is a local (mathematical) habitation in our minds in which electrons can receive a name.  The LIGO experiment and its interpretation in terms of the gravitational waves emitted from merging black holes is our imagination bodying forth, and returning with a form of the wildest ‘thing unknown’ we have yet imagined.

Can Science be more like Music? An Experiment with Light and Song

The_Light_of_Music_by_TWe4ksmallKarl Popper once wrote: “A great work of music, like a great scientific theory, is a cosmos imposed upon chaos – in its tensions and harmonies in exhaustible even for its creator”. If this is true (and it needs some unpacking before we can get to work on that question) then might great music be a source of illumination of great physics? Might physics inform and deepen our enjoyment of music? I don’t know – but I mean to find out with the help of scientific and musical colleagues in Durham this November, when we set out on a musical and experimental exploration for the International Year of Light.

FaWis_450Of course, musical themes and analogies surface frequently in Faith and Wisdom in Science.  I even imagine a nightmare world, in the introduction, where we have ‘locked away’ music from general human enjoyment and celebration in the same way that we seem to have done with science. Music, of course, has its ‘ladder’ of expertise – with international concert soloists at the top, and most of us somewhere towards the bottom – but nevertheless happily enjoying, and critically engaging with, the production of music in its new writing and performance.  The problem with science is that someone seems to have removed most of the lower rungs of its ladder!  Can we get them back by enjoying science and music together?

Perhaps it was hearing about the idea of the International Year of Light that alerted me to the amount of music, especially choral music, which seems to be inspired by the idea of light. Of course one reason for this is that light itself becomes a metaphor for so much beyond: understanding, hope, creation itself, which in turn inform and inspire music.

The first page of the printed score of Hayden's Creation (Novello edn.) - a musical depiction of chaos.

The first page of the printed score of Hayden’s Creation (Novello edn.) – a musical depiction of chaos.

Perhaps the ‘classic’ (in every sense of the word) musical moment that captures light-inspiration is the chorus in Hayden’s ‘Creation’ where order bursts out over the composer’s brilliant musical depiction of chaos: “… and … there … was… LIGHT!” – the chorus tip-toes over the introductory words from the Book of Genesis then explode in a cascade of fortissimo harmonies. Shut your eyes and you hear space filled with coruscating colour and brilliance.

But I think that Popper meant more than this by his musings on music. He is talking about form – that essential constraint on imagination that turns inspiration into art. Here he is surely onto something, for in science too we achieve understanding both through powerful imagination (‘could like be like a wave in some sense?’) and severe constraint (‘what happens if I direct a beam though this tiny hole …?). Could it be in this sense that both art and science fashion the order of form and pattern from the chaos of unfettered wild imagination and ignorance – and is it this that makes both music and science so basically human?

We are inviting all comers to an afternoon of hands-on experimental exploration of light from 2pm at Trevelyan College, Durham on Saturday November 14th. Three themes frame the activities – light as a combination of wavelengths and colour, light

Trevelyan College, Durham University

Trevelyan College, Durham University

as a carrier of information and light and a conveyer of energy for life. It will come as no surprise that we plan to explore the glaring analogy of colour and musical pitch during the afternoon – but we want to go further. Then for one hour from 4pm the Durham Singers will pick up on these same themes in a programme of music from 400 years of history. Two centrepieces to look forward to will be the Bach chorale Jesus, mein Lebens Licht, from the 17th century and a world Premiere of Light by local composer Janet Graham. Graham’s new piece sets words by another North-East artist – poet Gordon Hodgeon, now totally incapacitated by spinal injury, yet still writing. Light carries ‘words’ of information of chemistry and dynamics to us from distant stars. In this piece, Light literally becomes for us the only carrier of the poet’s words, distanced by the light-years of extreme disability. It looks like being a thoughtful and a moving occasion, and also an inspiring one. Come and join us!

Christian Voices in the Contempory World: at All Saints Ecclesall in Sheffield – Humble Science?

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Gary Wilson, vicar of All Saints in celebratory mood.

If Lent is a traditionally a time for deprivation of comfort, hard discipline and resisting temptation then it must be a wise church, if a particularly determined one, that invites a ‘Faith and Wisdom in Science’ evening of talk and discussion as part of their Lent course. So it was that the vicar of All Saints, Ecclesall, Gary Wilton invited me to lead an evening for a lively, attentive and challenging group of about 170 as part of their Lent course ‘Christian Voices in the Contempory World’.  Perhaps approproately also, we spent a fair bit of time in the Book of Job, a story of anger, pain and penitance as well as the most profound ancient text I know that treats the relation between humankind and the material world around us.

Actually I had first met Gary in 2012 at a conference on dialogue between Science and Religion that he was arranging as the Archbishop of Canterbury’s representative in Brussells for CERN.  The Director of the great European particle physics facility, Rolf Heuer, had requested the three-day meeting, since repeated, as part of CERN’s responsible engagement with the global public.  That meeting, bringing scientists and theologicans, some believing some not (in both camps) and representing Judaism, Islam, Christianity, Buddhism and Hinduism, was extremely interesting.  A fair bit of the material on different religions’ approach to science derives from pointers given to me at that meeting (in chapter 8 by the way).

The Sheffield evening was no less stimulating. After the talk, we covered two sets of three questions from the audience.  They both fitted together in interesting ways.  The first (summarised) set was:

  1. How can lay people really engage with science in a meaningful way?
  2. Can Narrative act as a way into science?
  3. Do we not need scintists to show more humility?

I think that these belong together because one of the offputting things about science is the way that scientists tend to assume the role of unassailable expert when we communicate science.  It needs to be said much more often that scientists make mistakes over and over again – it is hard to re-imagine the world and find ways  of seeing into its deep working structure.  We get closer all the time, but the difficulties and the slip-ups ought both to keep us humble, and to remind us that we need all the help we can get.  I still believe that the musical analogy I use in Faith and Wisdom in Science has some value here.  Just as musicians need the many ways in which audiences give them feedback in performances, so scientists need to listen to the reception of their work.  We should not underestimate the intellectual ability of non-experts to think about and question science (this is continually done in the mind-numbingly slow and superficial presentation of science on television).

One way of doing this is indeed to work through the narrative of a science story.  I think that no-one has done this better than Bill Bryson in his A Short History of Nearly Everything.  The twists and turns, the disappointments and delights, the characters and the catastrophes of science are all there.  Underlying the book is also the desire, born in a lay person with no science background, to grasp at some idea of the deep human need to understand why the sky is blue.  But crucially it also drives at a knowledge of how we now understand such things.  I think  that more along the lines  of Bryson’s approach, together with an expectation that lay audiences can and will help scientists to think more imaginatively, and an emphasis and development of the poetry and play of science, may recover lost ground.  Humility is indeed a good place to start.

More from Ecclesall in the next post!

What’s the Story? And why all the Theological Baggage? – Grilling the book at TORCH from all sides

TORCHThe Oxford Research Centre for the Humanities (TORCH) is currently running a series of events on Humanities and Science. At the intersection of this programme with their regular ‘Book at Lunchtime’ seminars, on February 11th an Oxford based panel of three disciplinary experts shone their critical torchlights on  Faith and Wisdom in Science.

Perspectives from English Literature (Prof. Sally Shuttleworth), History (Prof. John Christie) and Physics (Prof Ard Louis) proved a sharp and effective way to touch on critical aspects of the book. For all of them both positive responses and critical questions turned on the central theme of narrative. Should we, and how can we understand science itself and narrative? And as the book itself asks, where can we find and deploy a constructive cultural narrative for science that might unlock some of the current misrepresentations and political tangles around science and technology in the public forum? Louis referred to the ‘lament’ that science is not a cultural possession in the same way that art or music is, and urged the advantage of telling the messy story of real science practice. Christie sketched the obscured historical details within the stories of Galileo and Newton,

Galileo  Galilei

Galileo Galilei

and of the Biblical basis for Frances’ Bacon’s vision for modern science, which serve deconstruct the worn old myths about confrontation of science and religion. Shuttleworth welcomed the telling of the stories of science as questioning and creative, yet suffering the fate of almost always being wrong.

Faith and Wisdom in Science sets out to explore what resources Judeo-Christian theology can supply in constructing a social narrative for science – one that might describe both what science is for, and how it might be more widely enjoyed. It draws on history to claim that the project we now call ‘science’ is in continuity with older human activities by other names; ‘natural philosophy’ in the early modern period and in ancient times just ‘Wisdom’. The theology of science that emerges is ‘participatory reconciliation’, a hopeful engagement with the world that both lights it up and heals our relationship with it.

But is theology the only way to get there? Are we required to carry the heavy cultural baggage of Christian history of thought and structures? Shuttleworth recalled George Eliot’s misery at the dissection of the miraculous as she translated Strauss’ ‘Life of Jesus’ at the dawn of critical Biblical studies. Yet Eliot is able to conceive of a rich and luminous narrative for science in MiddleMarchMiddlemarch:

“…the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of energy, capable of bathing even the ethereal atoms in its ideally illuminated space.”

Eliot’s sources are T.H. Huxley, J.S. Mill and Auguste Comte, and of course her partner G.H Lewes,  They are by no means theological (Comte had even constructed a secular religion). Perhaps this is an example of an entirely secular route to science’s story? Yet her insight into science as a special sort of deep ‘seeing’ also emerges from the ancient wisdom of, for example, the Book of Job. In a parallel and contemporary book Seeing the World and Knowing God, Oxford theologian Paul Fiddes also calls on the material of Proverbs, Job and Ecclesiastes to challenge the post-modern dissolution of subject and object. Participatory reconciliation emerges for both theologian and scientist motivated to draw on ancient wisdom for modern need. Was Eliot, and will all secular thinkers in the Western tradition be, in some way irrevocably connected to these ancient wellsprings of our thinking?

An aspect of the ‘baggage’ most desirable to drop, according to Shuttleworth, is the notion that scientists are a sort of priesthood. Surely this speaks to the worst suspicions of a mangled modern discourse of authority and power. Louis even suggested that the science/religion debate is really only a proxy for this larger and deeper one. Perhaps the first-temple notion of ‘servant priesthood’ is now too overlain with the strata of power-play to serve as a helpful metaphor for how we go about enacting the story of science.

But science needs to rediscover its story, and it is only by acknowledge that its narrative underpinnings must come from the humanities, that it is going to find it.